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Various - Musicworks 79: Ongoing Explorations In Sound (CD, Album)

8 thoughts on “ Various - Musicworks 79: Ongoing Explorations In Sound (CD, Album)

  1. Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February – 14 March ) was an English singer-songwriter, musician, poet, performance artist, and occultist who rose to notability as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle.P-Orridge was also a founding member of Thee Temple ov Psychick Youth occult.
  2. 'The Sound of Blue' is an instrumental memoir with one song, a cover of the track, 'No Church in the Wild' by Jay Z andKanye West, who sampled Manzanera's guitar riff for the opening track of their smash album, 'Watch the Throne'. The Sound of Blue's 10 tracks are a /5(29).
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  4. Simpatico-Original Soundtrack album for sale "Hhhmmm Go ask Rick. "What do the lyrics mean? Then we got better. This current incarnation emanates raw, energetic rock and roll of the highest caliber while keeping in the tradition of the greats they admire like the Beatles, David Bowie, Lou Reed, Television, Iggy Pop, Marc Bolan, and many others.
  5. Dec 31,  · The Language Of Injury is a product of intense pressure and time. Although Ithaca formed on a South London industrial estate in , the years .
  6. Nimrod Workman was already 79 in , the year his first album, Passing Thru The Garden, was released. While he was an active performer for the rest of his life, he recorded only one more album, Mother Jones’ Will, for Rounder Records in Workman continued to be associated with his career as a coal miner, frequently singing coal mining.
  7. THE COMPLETE VORTEX VAULT RECORDINGS: REMASTERED by Andrew Liles, released 01 December 1. Barometer ii 2. VTR 3. Black Paper 4. Jaguar 5. Barometer i 6. Time Machine 7. Barometer iii 8. Humiliated 9. Fading I Have Made a Decision Midnight Gardener Hello Pharaoh Pillow Voice Root Canal Sequential Dreaming Tea Tree Part 2
  8. Jun 10,  · During the decade of –, rap music produced in cities such as Atlanta, New Orleans, Memphis, Miami, and Houston transformed the margins into the rap mainstream. These years saw southern artists rise to national prominence, with a related surge in major label interest and investment in southern rap, a process encapsulated and expressed by the idea of the Dirty South.

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